3D Manipulated Structure
Page 137 of Module 2Here we are then, my final piece of work for this module. A lot of the work is not actually down here on the blog, most of the work was done in my head by thinking about it a lot before I got started (which seemed to take ages). One mistake I have made is to think that I could use automatic stitching as well as free embroidery (didn't read the instructions carefully enough). So the orange seed heads have been made using entirely automatic stitching. Of course I could achieve a close texture by using granite stitch for example, if you need me to redo the seed heads am happy to do so. Just let me know.
- Draw shapes of flower, leaf and seed head. I used a previous drawing of a flower and seed head, then drew a leaf shape. These shapes were then manipulated to create different shapes that still bore a relationship to the original.
Flower Shapes |
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Leaf Shapes |
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Seed head shapes |
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An initial idea for design |
- Make up a paper model. I made several cardboard templates of different shapes and made up a variety of paper models to see which would work best. I played about with these shapes a lot trying to work out which would work and look best and how they could be joined together. My final choice was to construct a wreath by using leaf shapes as a base and then made my final choice of flower and seed head shapes.
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First idea for design layout |
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Second idea for design layout |
- Decide whether to use paper or wire mesh. Decided to use khadi paper as I find it easier to work with. I also like to paint and print on it. It has a lovely feel when a coat of acrylic wax has been used. I painted the papers using a lime green for the leaves and violet for the flowers. I then stamped them with my original foam stamp using in Chapter 2 of this module and then applied a final coat of acrylic wax. These colours just came into my head although I had been mulling over the whole design for a while. It took a while to work out what colour to use for the seed head. I thought of black and then blue, black would have been OK and blue horrible. In the end I decided to work with the colour of the original but just more exaggerated and then decided on orange.
- Threads and Colours. I wanted the work to have a harmonious feel so I used colours that blended in with the painted paper rather than using any that would clash and create a contrast.
- Add stitching to create the textures. I used a mixture of free machine embroidery and automatic stitches to create texture on the painted and printed khadi paper. The images I had chosen had simple shapes and the stitching was not complicated to do. All in all I wanted to create an open and broad feel and wanted the stitching to have a loose feel and not too heavily textured for the leaves and flowers. So I used vermicelli and feather stitch using free machine embroidery. However I wanted a little bit of a contrast so chose to give a more heavily textured feel to the seed heads by using contracted automatic stitching on the orange paper. Whilst I was stitching I had scraps of violet paper on the desk, and on a whim just incorporated them into the stitching. I didn't know if it was going to work out or not, but it just felt that it would.
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Painted and stitched paper for leaf and flower |
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Painted and stitched paper for seed heads with scraps of flower paper |
- The final piece of work. I am very pleased with this final piece of work. I think the colours have worked really well, although they are bright it has a restful quality, maybe because of the lime green of the leaves. I have tried to create a relationship between all the components and I feel this has been achieved. Using wire mesh would have helped to create more interesting shapes but it is not a medium I enjoyed working with. It does seem important to work with materials that you have an empathy with and that must help in the creative process.
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Resolved sample of wreath laid flat |
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Final work hanging on wall |
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Different angle |
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Close Up |
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Close Up |
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Reverse of work |